Caroline Tung Richmond is a freelance writer whose work has appeared in the Baltimore Sun, Highlights for Children, and USAToday.com, among other publications. The Only Thing to Fear is
 her debut novel and is out now from Scholastic Press. A self-proclaimed
 history nerd, Caroline lives in the Washington, DC area with her 
husband; their daughter; and the family dog Otto von Bismarck, named for
 the German chancellor (naturally). 
Tell us a little about your book.
Here's
 my little elevator pitch! The Only Thing to Fear is an YA alternate 
history novel, set in a world where Hitler won WWII and colonized the 
US. The protagonist Zara is a sixteen-year-old Virginian farm girl who 
joins a rebel group that's set on overthrowing the Nazis---and 
assassinating the Fuhrer himself. 
How did you get the idea for writing it?
Actually,
 my husband gave me the idea for this book in a very roundabout way! 
Back in 2010, I asked him for book recommendations and he told me to 
read The Aquariums of Pyongyang, a memoir by a North Korean refugee. I 
blazed through the book, and I couldn't stop thinking about: what would 
it be like to live in such a regime? How would someone try to fight back
 against it? I started imagining a girl who lived in a very oppressed 
society, and I let my imagination go from there. And that's how I got 
the first kernel for the idea that become The Only Thing to Fear!
Writing
 an alternate history sounds like a very powerful allegorical tool. What
 advice would you give to other writers wanting to give it a try?
I
 still consider myself very much an amateur when it comes to writing 
alternate history, but for those of you who might want to write in this 
genre… I say, go for it! It may seem like a daunting genre due to all of
 the research involved, but I promise that the research often turns out 
to be quite fun and super interesting. But it can be overwhelming so I 
would say to take your time and to let things soak in! With every book 
or article you read for research, jot down notes that you find 
fascinating because they may come in handy for your world-building. And 
don't feel like you have to flesh out EVERYTHING in your world before 
you start your book. You can fill in a lot of the historical details as 
you write or whenever you start revising. Like I said, just go for it! 
What amount of research did you have to do to write your book? How did you go about it?
Gosh,
 quite a bit! I made sure to brush up on my overall WWII history 
knowledge before I sought out particular research topics that would help
 me flesh out my world building---particularly what life was like in 
Nazi Germany and what life was like in the countries they occupied, like
 France, Poland, and the Netherlands. My new WIP is set during WWII so I
 have quite a lot of WWII-related titles on my Kindle now! 
Examining
 a Nazi-led world seems like no small task. What advice would you give 
to writers who want to tackle a big, even larger-than-life project?
My
 advice? Just do it! I think it's a good thing to be a little scared 
about a potential writing project---it is this fear that helps us 
stretch and grow and develop as writers. And try to take things slowly. I
 think we often shy away from larger-than-life projects because we don't
 even know where to start. So tackle things one at a time! Dip your toes
 in the research waters. Read other books in the genre and note what 
works and what doesn't. And when you're ready to start writing, focus on
 getting a little bit done at a time. A paragraph here, a chapter there.
 It might take months or even years, but you'll eventually finish a 
draft for that daunting novel you weren't sure you could write. 
Oh,
 this can be tough! I've found it really hard to strike that nice 
balance between fleshing out a world yet moving the plot and the 
character arc forward at the same time. It can be quite tempting to use 
the dreaded info dump! And so, I try to focus on the plot and character 
arc first while folding in world-building whenever necessary. 
Also,
 find good beta readers! My beta readers are fantastic about letting me 
know when I've info-dumped too much or when I need to beef up the 
details. Oftentimes as authors we're blind to the balance of 
world-building because we're already living inside of this world that we
 created. We just get it. So it might take someone else to point out what's working and what's not. 
Any parting words?
Never
 give up, never surrender! It took me LONG time before I got my book 
deal for The Only Thing to Fear. Although I wrote the draft quickly, it 
took me over 18 months to revise the book, including switching the 
entire POV from first present to third past. There were many times when I
 wanted to give up---on this project and sometimes on writing 
altogether---but I wanted so badly to tell this story and I feel humbled
 and grateful that it is now out there in the world. And so, if you're 
struggling right now, hang in there! Eat some chocolate, drink some 
wine, take a little break, and get right back in there in the ring. :) 

Great advice for me to keep in mind while working on my steampunk novel, because steampunk is always alternate histories. :) I love the Galaxy Quest exhortation too!
ReplyDeleteCongratulations on your book! I must be living in a picture book world because I've never heard of alternate history books. You captivated me with your second question on N.Korea, as I, too, am interested in N.Korean refugee stuff. Thanks for the interview, Ella and Caroline!
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